Programs & Courses for Educators

National Humanities Center Professional Development Seminars

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Announcing a Special Program for California Teachers!

Through a partnership with the California Department of Education, the National Humanities Center (NHC) is pleased to offer California educators free registration in a series of live, online professional development seminars for history, literature, and humanities teachers. These interactive programs offer educators:

  • Increased content knowledge
  • New teaching resources
  • Fresh instructional approaches

Led by distinguished scholars, the seminars explore historical documents, literary texts, and images to demonstrate and support teaching with primary sources. Seminar materials are free, online, and available on-demand.  

NHC online seminars, Toolbox Library, and TeacherServe® resources align with Partnership for 21st Century Skills to improve student learning. Educators using primary sources help students:

  • develop critical thinking and improve problem solving skills
  • analyze and evaluate evidence, arguments, claims and beliefs
  • synthesize and make connections between information and arguments

Each National Humanities Center seminar provides three hours of professional development. Five NHC seminars will provide one credit, or a variety of seminars and other programs may be combined to total fifteen hours.

When registering use the promotional code: CSUC

National Humanities Center ~ Schedule of Courses

Date: Seminar:  Presenter:

Thur., Oct 4
4:00-5:30 pm Pacific

Register

Use promo code: CSUC

Slavery in the Atlantic World


The first “20. and odd” Africans to arrive in British North America are generally believed to have landed in the Chesapeake in 1619 aboard a Dutch man of war. Though this watershed marks the beginning of the African slave trade to the lands that would eventually become the United States, its importance to the broader history of slavery and the slave trade in the Atlantic world is minimal. Prior to 1619, more than 500,000 Africans had already been toiling as slaves in Europe, Latin America, and the Spanish Caribbean. Moreover, thousands of Native Americans served as forced laborers for European colonists in Latin America and the Caribbean.
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James Sweet
Professor of History, University of Wisconsin-Madison
National Humanities Center Fellow

 

Tues., Oct 9
4:00-5:30 pm Pacific

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Use Promo Code: CSUC

Teaching the Slave Narrative: The Interesting Narrative of the Life of Olaudah Equiano

Over the past thirty-five years, historians, literary critics, and the general public have come to recognize the author of The Interesting Narrative of the Life of Olaudah Equiano, or Gustavus Vassa, the African. Written by Himself as one of the most accomplished Olaudah EquianoEnglish-speaking writers of African descent. Equiano’s autobiography is universally accepted as the fundamental text in the genre of the slave narrative. Excerpts from the book now appear in every anthology and on any website covering American, African-American, British, and Caribbean history and literature of the eighteenth century.
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Vincent Carretta
Professor of English, The University of Maryland
National Humanities Center Fellow

Thurs., Oct 10
4:00-5:30 pm Pacific

Register

Use Promo Code: CSUC

Teaching The Autobiography of Benjamin Franklin

Benjamin Franklin’s Autobiography stands near the headwaters of American literature and culture. The quintessential rags-to-riches story, the first in a seemingly endless line of self-help books, a guide to the deliberate creation of a public image, the Autobiography describes the emergence of an archetypal American. Franklin was the only Founder to put his life successfully on paper.
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Robert A. Ferguson
George Edward Woodberry Professor of Law, Literature and Criticism
Columbia University, National Humanities Center Fellow

Thues., Oct 19
4:00-5:30 pm Pacific

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Use Promo Code: CSUC

Consumer Politics in the American Revolution

The men and women who made the American Revolution were united as consumers before they came together as rebels. Through the mid-1700s, as the wealth of the colonies increased, Americans from Portsmouth to Savannah bought the same imported goods. Their shared desire for and dependence upon British cloth, ceramics, tea, and other items created a common experience. When the colonists Tea became convinced that they could preserve their liberties only by overthrowing British rule, they drew upon this experience to unite in a new form of political protest.
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Timothy H. Breen
William Smith Mason Professor of American History
Northwestern University, National Humanities Center Fellow

Tues., Oct 23 4:00-5:30 pm Pacific

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Deism and the Founding of the United States

During the 17th and 18th centuries, many “freethinking” Europeans embraced Deism, a theology that subjected religious truth to the authority of human reason. In colonial America, Deism found few adherents, but those who were attracted to it tended to be wealthy and educated, leaders in colonial society and politics. Today, debate swirls around the role Deism played in the founding of the nation. What was this “religion of nature”? How can we explain it to students? Who among the Founders were Deists? What influence did Deism have on the culture of the new nation?

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Ryan K. Smith
 Associate Professor, George Mason University

Thur., Oct 25
4:00-5:30 pm Pacific

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The Work of Slavery

No matter when it was done, from the colonial period through the Civil War, or where it was done, from New England to Georgia, slave labor was hard, often dangerous work. Yet in North America the tasks slaves performed and the amount of control they exercised over them varied greatly. Slaves built boats, crafted chairs, cooked meals, forged iron, steered ships, washed clothes, and plowed fields. Some worked in gangs under the watchful eye and ready whip of an overseer, while others worked largely on their own with little supervision. Still others, hired out, worked much as free labor did. How did work shape the lives of the enslaved? What do the varying degrees of supervision — and varying degrees of freedom tell us about the position of slaves in American society and their relations with their owners?
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Heather Williams
Associate Professor of History, University of North Carolina at Chapel Hill

National Humanities Center Fellow

Thur., Nov 1
4:00-5:30 pm Pacific
Register

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Teaching Poe’s “The Raven” in Context

Edgar Allan Poe is a perennial classroom Edgar Allen Poe's The Ravenfavorite. His heavy reliance on rhyme, for which his contemporaries labeled him “the jingle man,” makes his poems appealing curiosities to students, and his tales, with their demented narrators, are an endless source of cheap thrills. But is there more to Poe than sound and fright? What can he tell us about nineteenth century American culture, and how can the context in which he wrote illuminate his art?
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Eliza Richards
Professor of English and Comparative Literature
University of North Carolina at Chapel Hill, National Humanities Center Fellow

 

Thur., Nov 8
4:00-5:30 pm Pacific
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Teaching Flannery O’Connor

Flannery O’Connor’s stories have retained their power to intrigue, to perplex, and to instruct readers in both the art of storytelling and the mysteries of the spirit. Through close reading of “A Good Man is Hard to Find,” written early in her career, and “Revelation,” written shortly before her death, we will explore two of her most important concepts, the artistic technique of “the Grotesque” and the religious principle of Grace.
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Lucinda MacKethan

Professor of English, Emerita, North Carolina State University

National Humanities Center Fellow

Thur., Nov 15
4:00-5:30 pm Pacific

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Teaching “Bartleby, the Scrivener

“I would prefer not to.” With those words Bartleby, Herman Melville’s New York law-copyist, turns himself into one of the most enigmatic and infuriating characters in all of American literature. With them he also disrupts the staid, ordered life of his employer. And with them, too, he withdraws from life until he ends his days curled up against a wall in a prison aptly named the Tombs. What does “Bartleby, the Scrivener” tell us about Melville’s genius? What does it tell us about antebellum America, a society in which the impersonal values of laissez-faire capitalism clashed with the religious impulse to care for and about others?
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Andrew Delbanco
Julian Clarence Levi Professor in the Humanities, Columbia University
National Humanities Center Fellow

Thur., Nov 29
4:00-5:30 pm Pacific

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Art and American Identity: 1670-1789

In 1690, to what extent were the arts and material culture of the British Atlantic colonies “American”? To what extent were they “American” by 1789? What major factors defined the evolution in American arts and material culture in this period? To what extent did this evolution reflect the changing self-image of Americans?
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Maurie McInnis

Associate Professor, American Art and Material Culture and Director of American Studies, University of Virginia

Tues., Dec 4
4:00-5:30 pm Pacific

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Winslow Homer’s Civil War Art

The unprecedented scale of the U.S. Civil War, both in its massive mobilization and in its terrible human cost, presented a tremendous challenge to visual artists who had never experienced anything like this before and had few if any visual models to imitate. Winslow Homer was perhaps the most important and innovative “delineator” of the war. Working initially as an illustrator for Harper’s Weekly, he started by producing conventional images of heroic battle but soon developed a new vocabulary for visualizing the strange new realities of modern warfare.
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Kirk Savage
Professor of Art History, The University of Pittsburgh

Thur., Dec 13
4:00-5:30 pm Pacific

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Teaching In Our Time in Our Time

Ernest Hemingway’s In Our Time helped to create the idiom of modernist literature, which would go on to become the predominant literary aesthetic of the 20th century. Emerging from the world of the Parisian little magazines, Hemingway In Our Time Book Coverbrought the literary avant-garde to mass popular audiences. In the process he defined an enduring cultural style and shaped our understanding of World War I as well as the modern world it seemed to epitomize. Examining Hemingway’s artistic influences and the historical context of In Our Time, we will try to understand why this slim volume turned out to have such a large impact.
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Sean McCann
Professor of English, Wesleyan University
National Humanities Center Fellow

Receive Seminar Updates

If you would like to receive notices about new online seminars as they become available, please join our mailing list and select the “National Humanities Center” interest list.

 Registration & Course Information

To register, visit the NHC Web site
and complete the online registration form. Prior to a seminar, registered teachers will receive a link to a web page which includes:

  • Instructions to access the online classroom
  • Assigned readings

After the seminar, the audio recording and presentation are available for listening, viewing, and downloading.

Sample: The Idea of Progress in 19th-Century America

 Earn Credits for National Humanities Center Seminars!

National Humanities Center seminars have been vetted and pre-approved by Trinity County Office of Education as meeting the requirements for university credit. Completion of five National Humanities Center seminars will provide one credit.

If you are interested in receiving credits from CSU, Chico, just follow a few easy steps!